The idea of people automatically saving photographic information in their heads may appear gullible, but the motivation of people relying on photos to look into how the world really is, is the need for knowledge in order to survive. Nobody can survive if they go through life never trusting anything: what they see, read, hear, or feel.
At this end of the spectrum, deeming a photo completely perfidious would show as ridiculous. Sontag merely tends to examples in which photography influences people in situations where people are faulty in their judgment.
Photography is a social rite, in that cameras go with family life: they keep the accomplishments of family members for reminiscence Sontag 8. In many situations, taking photos is expected, or else one is looked down upon.
Sontag On Photography: Two Views
To assuage anxiety, people, especially tourists, snap pictures to keep as memoirs, and their motivation can even be to, as people from cultures with high work ethics have, is to mimic working, because they feel a need to continue working to avoid feeling indolent. Sontag Sontag is saying that even though to take a picture one must have distance, it still inflates hidden desires, ones that are either sexual or violent. It will always be a knowledge at bargain prices- a semblance of knowledge, a semblance of wisdom: as the act of taking pictures is a semblance of appropriation, a semblance of rape.
Overall, photos may exist only as a world of images, nothing more: shadows of reality and the truth, but more critical judgment may show otherwise.
Susan Sontag explores the primitive and the modern in photography
Even though she speaks of what photos mean, she remains biased in her own views of the disadvantages. Sign in or sign up and post using a HubPages Network account. Comments are not for promoting your articles or other sites.
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On Photography by Susan Sontag
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